Barbosa turns out to be something of a sadist: After pummeling an informant to death with a pool cue, he turns to Jason and says, "You ought to kill a man someday, David - it's liberating." Not surprisingly, these words will come back to haunt him.Īs will many others. Seeking funding for a new synthetic drug, Hull and Jason end up ripping off Felix Barbosa (a tensile Gregory Sierra), the cocaine king with political connections. Together, he and Hull plunge into a drug underworld where trust and honor are nonexistent and double crosses are merely a prelude to triple crosses. In fact, the lawyer, who has a dream house/wife/daughter, goes through his own metamorphosis, from cynical and eccentric outsider to manic and homicidal insider. To get to the Colombian cartel, Hull hooks up with drug middleman David Jason (a thickening Jeff Goldblum), a Jewish lawyer whose first instinct - that Hull is a cop - proves weaker than his baser instincts to make lots of money, live on the edge and insert himself into black culture. The distance between right and wrong, between good and evil, begins to close as Hull finds his new lifestyle both seductive and addictive. Hull - decides he can make a difference, but in the process his moral compass gets knocked askew. Initially reluctant, Stevens - now called John Q. Neuman - you make the call) sees in Stevens the tough black cop he needs to infiltrate the drug subculture. ![]() Little wonder, then, that DEA agent Carver (Charles Martin Smith or Alfred E. Don't ever do this." As a reminder, the son has kept a bloody wad of money taken from his dying father's hand. ![]() Character motivation is set up by a Frank Capra in Hell flashback in which 10-year-old Russell sees his cocaine-addicted father shot down after robbing a liquor store on a snowy Christmas Eve, right after counseling his son, "Don't be like me. Director Bill Duke's portrait of a neurotically driven cop who goes undercover in Los Angeles to chase Colombian drug dealers is so riddled with cliches that even Fishburne can't rescue it.įishburne plays Russell Stevens Jr., a straight-edge cop whose rigid moral code, defiance of authority and generally pathological personality make him a perfect candidate for undercover work, where such faults become virtues. As he did with Furious Styles in "Boyz N the Hood," Fishburne plays, and cuts, a figure of great moral strength and integrity, but he's making waves in a shallow pool. Larry Fishburne is clearly a star of the future, but "Deep Cover" won't be the vehicle.
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